Vision #7 (Marvel Comics)
Tom King’s Vision series has been one of the strangest All New All Different Marvel titles. Telling the story of the synthetic android that creates a family and moves to the suburbs, it’s part family drama, part psychological thriller. And it’s pretty damn spectacular. The latest issue focuses on the Vision’s long history with Scarlet Witch, and touches on different moments throughout their relationship.
Tom King creates an interesting look into just how the Vision has gotten to the point of creating his own family, something that, as this issue reveals, he and Wanda Maximoff had not only done, but had a huge blow out argument over. King brings out the stages of being in a relationship beautifully here. There’s the initial infatuation, the first fight, the heartbreak of breaking up, and the coming to terms with the relationship you have. It’s all done so well that you’ll forget that the two lovebirds are a woman and a robot.
Michael Walsh fills in for series regular artist Gabriel Hernandez Walta, and while Walsh’s style is very similar to Walta’s, he offers a lot more detail in his environments and faces. Not only that, Walsh effortlessly mixes up his character designs to show the passage of time in Vision and Scarlet Witch’s relationship. You get a ton of different eras of Avengers in this issue, and Walsh depicts them wonderfully.
I was hesitant on the Vision at first, and it’s admittedly a VERY slow burn, but Tom King is doing things in this book that defy expectations. Vision is taking a look into what it’s like to actually be this character, and brings up a lot of interesting questions about the Vision. Since this new storyline is building up to a confrontation that’s been hinted at since the beginning of the series, I don’t recommend starting here. But I highly recommend that you seek out the first collection when it hits. It’s guaranteed to be unlike anything else you’re reading.